Article from New Folksound
The Downtown
Cajun Band
Pure cajun music with a distinctive sound of their own.
Text : Ron Janssen
One
and a half year ago the Downtown Cajun Band was formed. The group is getting
better all the time judging from the posters at concerts and festivals. The
website, www. downtowncajunband.nl plays an important part in this. The four
members of the band are beginning to develop a distinctive sound in traditional
cajun music. They are here to stay and we are certainly going to hear more from
Ed van Dorp( guitar and vocals), Nelly Pieters( cajun triangle ), Ron van Doorneveld
( accordeon and vocals ) and Will Pieters( fiddle ). Now Will pieters will tell
us allabout it.
I don't see myself as an authority on cajun music, I wouldn't dare. I'm much
too modest for that, but I think I have a clear view on this music. I want to
keep cajun music as pure as possible, the way it is played in Louisiana. That
means you have to keep it quite simple, using simple playing techniques, as
I try to do. Originally the musicians in Louisiana weren't brilliant players
either. They learnt it from their fathers, who in their turn had learnt it from
theirs. It was handed down from one generation to the other, including all the
shortcomings in the way they played. A cajun fiddler holds his bow the wrong
way, just as he does his fiddle and he plays in the first position. I want to
keep to this kind of playing, be it without those notes out of key. That is
the power of traditional music and I will stick to this way of playing, I am
really conservative in tis respect. The great players I really admire are Dennis
McGee and of course the Balfa Brothers.
I came to know about cajun music through Herman van Rijn of the Cajun Company.
We shared the same liking i.e Western music: not only the music, but even more
so its life style and the search for original items that go along with it. At
a given moment Herman came to me with a cassette he had got from his brother.On
it was traditional cajun music. We had a good laugh about it for who will put
anything as ridiculous as that on tape for crying out loud! Herman's brother
made some more enquiries into cajun music and came up with yet another tape
not much later.Now we heard a different kind of cajun music which we liked much
better. Many tapes followed after that and that' s how my interest in cajun
music developed. I found out that cajun music originates from France and has
gone through many stages from the moment when French emigrants set foot on North
American soil.
Through his interest in cajun music Herman met accordeon player Bas van der
Poll. He happened to be busy with the same kind of music for some time and when
it appeared that the two of them lived quite near each other they soon got together
for the first sessions. I asked Herman if I could come to such a session with
my guitar. That was okay and after a couple of times playing together I told
Bas that I had got a violin at home. Bas thought that was very interesting and
he kind of liked the idea to have me bring that instrument along next time.
Bas drew an outline on paper showing 4 strings in a number of positions on which
to place my fingers in order to play chords. I wasn't very much taken by the
idea, but Bas insisted. He finally persuaded me and for the rest of that evening
I was just "sawing" chords. By the time I went home I had become enthusiastic
and when I got home I just kept on going. At a certain moment I also began to
get the notion how to handle the bow in the right way.
After 8 years I left the Cajun Company, also because I wanted to do my own thing.
I played second fiddle in the band and I liked that fine, because you weren't
standing in the spotlights so to speak. At the time I didn't think much of playing
lead fiddle, but later on I liked to do more solo playing, for the second fiddle
is only there for support, twin-fiddle style. At home I tried my hand at playing
all kinds of solo pieces, but in the Cajun Company there was no room for my
aspirations as there was already a lead fiddler. I felt that the time had come
to leave the group, but unfortunately I did that a bit too soon. When it happened
we were in America to record a cd "La Robe de Rosalie". Half way through
the recordings things went wrong between the band and me and therefore my part
never got onto the cd, but was done by somebody else. If only it had happened
a couple of months later. Sometimes things go that way but it swept me off my
feet at first. You can go on making music, but then that's only for yourself.
Then after some time I ran into Ron van Doorneveld and Ed van Dorp, who were
playing in a country band. They liked to introduce cajun music into the band
and they asked me if I was willing to help them with that. From the very first
I made myself clear that I didn't want to become a member of the band, but that
I was only there helping them with the cajun music. The leader of the band liked
me to do the fiddle in their country repertoire. I was put under some pressure
and then it became really clear to me that I wanted to go on with cajun music.
Then I took my leave of that country band. Ed and Ron were very much devastated,
but we kept in touch. When my plans for a new cajun band took more and more
shape I asked Ron and Ed to join and to be honest they were actually waiting
for that. The three of us got together at my place to play. I also had a cajun
triangle and I asked Netty, my wife, to pick up that thing and join us. Well
she took up that challenge and gave it a go. Only after a little time she managed
quite well and that completed the Downtown Cajun Band.
Last year we made a demo at my place, recording it pure and simple with a mini-disc
player. The result is amazing! Those recordings are very pure with a good balance
between instruments and singing. I think this is very important because in my
view a cd should live up to the way you sound on stage. I don't like those cd's
full of tiddley bits that you don't hear anymore on live concerts. A group should
be rated at its true value, both on the cd and live. With that point of view
in mind we will start recording a full bodied cd in the last few months of this
year. We hope that our ideas about traditional cajun music will be shared by
many others.