La
Bande Feufollet
"Belle Louisiane"
Two years ago the youth ensemble Feufollet astounded Cajun music
listeners
with their auspicious debut that was an incredibly focused body of
quality work.
Refusing to rely on the often, played 'cute' card, this cadre of gifted
musicians,
then an average age of 12, instead demonstrated how passionate they were
regarding their cultural art.
This time out,
producer Steve Riley wasn't about to let his young prodigies rest on
their laurels and instead challenged them with vocal harmonies and more
complicated arrangements.
As a result, the young loins of Feufollet devoured everything Riley
threw at 'em to deliver one of the year's most exemplary recordings.
Fiddler Chris Segura is blossoming into a hallmark fiddler with his
pristine
tonality and lightening-quick bow strokes as heard on "Lake Arthur
Stomp."
Accordionist Chris Stafford exhibits a wide palette of styles, never
dipping his
brush into the same colors twice. Oftentimes, he can be quite driving
("Le
2-Step de Tête Dure") or gracefully sentimental as noted on Dewey
Balfa's
"Orphan's Waltz."
Additionally, the multi-instrumentalist Stafford does twin fiddles with
Segura for a mind-boggling rendition of "McGee's Medley" that
segues into a romping foray joined by all.
Perhaps one of the disc's most powerful moments comes from Stafford's
"Cauchemar de 1755" ("Nightmare of 1755"), a
haunting melody inspired by the Grande Derangement. Here, the inventive
Stafford plays lead, second and harmony fiddle, kicks a bass drum to
reenact gunfire while Riley assists on guitar, triangle and fiddle
sticks.
After the song's closing moments, team Feufollet chants in French things
that were
probably said then such as 'where's my family?' that overall, casts an
ethereal
effect.
Yet, the pair of frontmen wouldn't sound as stellar without the
rock-solid
support of beat heater Michael Stafford (Chris' younger brother), the
unerring
bass playing of Matt Cormier and the guitar work of the group's heart
and soul
Ashley Hayes.
Brittany Polaski, who handles the most of the lead vocals, sings
with a pleasurable mature voice.
While the highlight moments are many, the creativity profoundly deep and
the
music's beauty often renders tears of joy, that may not be what's heard
on the
initial listen.
More than likely, it'll be the progressive pop-flavored, rock-out of
Kristi Guillory's "Fier d'être Cadien" and the dreamy, folksy
"Belle Louisiane"
that's actually a first time recording of a Zachary Richard ballad.
Still, the adept
Feufollet bridges the gap from the trad to the rad, which couldn't be
better
illustrated than the French and English-sung renditions of Los Lobos' "Evangeline."
'She is the queen of make believe Evangeline,' Stafford sings on
lead vocals with Polaski's soulful harmonizing.
With Feufollet, nothing here is make-believe.
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